By: JOEL MOSKOWITZ
After detailing the final steps of the project of making a dresser, the anonymous author of Joiner and Cabinetmaker describes how cabinetmakers would use veneering and other techniques to set off the dresser to a different level of work. Such was the distinction between joiners work and cabinetmaking in the eighteenth and nineteenth century. Cabinet work was veneered and decorated, whereas joiner's work was not. In professional work this is no different today. The low-end carcass will be melamine and the high-end Italian carcass will be birch plywood, possibly with some exotic veneering. The more expensive you go, the better hardware and joinery you get. But unlike furniture of previous centuries, today's Ikea doesn't look that different than higher end brands like Herman Miller to the average customer, especially without scrutiny or use. In my opinion, this is one of the fundamental reasons why furniture has declined as a measure of conspicuous consumption and status.
In the early days of the United States, hardwood was plentiful and much furniture was made from Oak, Ash, Birch, Maple, Walnut, and Cherry. Yet Duncan Phyfe, the great New York based 19th century cabinetmaker, based his work on high quality imported Mahogany. This of course makes no sense if you look at furniture from a modern perspective, in which form is the most most important aspect. But it makes a great deal of sense when you consider the importance of marking the distinction between joiners work and high-end cabinet work, for which you want a premium. You have to use fancier materials.
Before the American Civil War, after which factories began to churn out facsimiles of rich people's furniture, the middle class and the poor bought joiner's furniture and Shaker furniture. Windsor chairs were also the standard common chair. The upper class (and upper middle class) bought veneered, decorated furniture, upholstered and carved chairs, all of which served to show off their wealth.
Read more >> https://www.core77.com/posts/82485/Tools-n-Craft-124-The-Future-of-Furniture-Part-6-Solid
No comments:
Post a Comment